Desgaste.
marzo 31, 2010
(In English, below).
Hay muchas veces en las que sería mejor no decir nada. Una se planta en los treinta de una forma extraña. A los dieciocho, si miraba hacia delante, se imaginaba con la vida ya resuelta a estas alturas, y la realidad es que a medida que el tiempo pasa las incertidumbre son más, como las heridas.
Querría poder decir que el callo también es más grueso, pero en realidad la piel es más fina y los golpes duelen el doble, como en una regresión a la infancia en la que el que “no te ajuntaran” a la hora del recreo dolía como un cuchillo clavado en la piel.
A los veinte una se agarraba al amor como a un bólido desbocado, y se creía que lo tenía todo para siempre. Después los desengaños no lo vuelven a uno más capaz de lidiar con el desconsuelo; muy al contrario, parecen hacernos más afecto a él, porque resulta ya muy difícil creerse nada, y el escepticismo constituye una pérdida más que un logro.
No es mejor esto. Se aprende mucho más sobre la condición humana, sin duda – sobre todo de la propia- de lo que se hubiera aprendido hace cincuenta años, cuando la norma era el permanecer en una relación per saecula saeculorum, pero eso no nos hace mejores. Acaso más impacientes, más ansiosos, más desasosegados: una generación de vapuleados y vapuleadores medio locos, siempre con un pie fuera del tiesto, y las ganas de comerse el mundo echadas por tierra desde hace por lo menos un lustro.
Esta foto, de todos muy conocida, la tenía en un poster de adolescente. Me encantaba. Ahora sólo la miro de reojo.
Sometimes it would be far better to remain quiet. One day, almost suddenly, we realise we are already thirty and we are almost suddenly filled with a strange feeling of uneasiness. Back when we were eighteen, when we imagined ourselves at this stage we envisaged a solid, well-constructed life, and reality only shows us that the fact is quite the opposite- that as time goes by our uncertainties only increase, as do the wounds.
I wish I could say the skin also grows thicker, but in truth it becomes thinner, almost transparent, and the blows hurt twice as much, as in a regression to infancy where not being accepted into the wanted group during school breaks hurt like a knife well stuck into the flesh.
At twenty we held tightly onto an uncontrolled, passionate love, and we thought we had everything and that it would last forever. Later on, disappointments don’t make us more capable of dealing with grief- on the contrary, we become more prone to it because we find ourselves almost incapable of believing in anything anymore, and skepticism constitutes a loss rather than an achievement.
This is not better. Undoubtedly, we do learn more about the human condition -specially about our own-, much more than we would have fifty years ago, when the rule was to stay in a relationship per saecula saeculorum, but that doesn’t make us better. It makes us more impatient, more anxious, more restless- a generation of beaten souls, of beaters of souls, half mad, never entirely into anything again, and with the desire of taking the world by storm hidden away in some forgotten, dusty cupboard.
I had this picture, which is already part of our cultural heritage, on a poster when I was a teenager. I used to love it- now I can only just bare taking a quick glance at it.
Coming back to London.
marzo 26, 2010
Every time I leave London for a while, which I have done recently to enjoy some holidays, I get, just before having to come back, that vague feeling of loathing you can have when you know you are leaving a peaceful setting to go back to the ferocious place that a big city like this one can be. But then I always, always, as soon as I have left the airport and I’m coming back into the city on a train and I start to see its sheer size, its buzz, the lit bridges across the river, I get that almost indescribable high, which is nothing but the feeling of being where I want to be, where I feel I belong, at least for this part of my life.
London always manages to transmit that feeling of roughness you get when you know you are almost alone in a place which needs to be fought for, but also, paradoxically, that sense of endless possibilities within reach. It has that uniqueness, that inimitable idiosyncrasy that makes it so addictive, and at times so overwhelmingly hateful. Some people can’t stand it, others are drawn to it forever. Clearly, a great part of its attractive lies in the fact that it makes you feel like you can become whatever person you choose to be, because London seems to have a niche for anyone and to admit anything.
There is much romanticism around the idea of “going back to the origins” and living in the countryside. I have recently been thinking about this quite a bit. I went to see Stewart Lee, a British comedian, about three months ago or so, and the best part of his show was when he told the story of one of his friends, who had chosen to leave the city for the supposed joys of the countryside because his little daughter was dyslexic and he wasn’t happy at all with the choice of schools they got in London. “So they’ve now been living in the countryside for a while”, he explained, “and the girl can now spell” [brief pause] ,”but she’s a racist”. Spot on.
Romanticism can be a dangerous aspiration at times. The countryside is what I most long for, what I most miss in my life here. Surely, you don’t have the possibility of getting in a car and finding yourself climbing a mountain after only fourty five minutes of driving, but also I love knowing that, by living in London, I can go to certain parts of it which will almost make feel as if I were in India, or in New York, or even in some bits of the more rural England. And that mostly every type of person (and certainly every kind of food!) I can think of can be found in this mad place.
I think I’d much rather have that on a regular basis than the provincial emptiness of a green lawn and a corner shop, knowing that I can run for the longed countryside whenever I need to, but that I am immersed in the world of possibilities that can only be found in a truly cosmopolitan city.
Nothing to add.
marzo 14, 2010
There is nothing I can add
to the endless lines
that have been written about love
except for the absolute,
conclusive certainty
that they are all true.
Even the worst ones,
the cringe-worthy ones,
the ones that make me
want to hide with shame
under my blanket
until I have to get out again
for a gasp of fresh air
and yet another share
of plain and straight reality.


